#DIRECT GUITAR RECORDING SIGNAL PATH PC#
The USB port accepts a micro-B USB cable for connecting to a MacOS or Windows PC running Iconoclast Software. The connectors will be tip = left and ring = right. The Headphone Output may also be used as a separate line output by using a 3.5mm TRS to dual 1/4” TS cable. It may be used simultaneously with the stereo outputs. The 3.5mm stereo Headphone Output is driven by a dedicated amplifier and is capable of driving the vast majority of commonly-available headphones. POWERĬonnect a standard 9V DC or 12V DC, 100 mA or greater, center-negative pedal power supply (not included) to the power input. Iconoclast is not a load box and must not be connected to the speaker output of an amplifier. Iconoclast should be placed at the end of your signal chain, after your pedals and/or preamp. Given these factors, we firmly believe that running direct with Iconoclast yields a superior experience to that of a dedicated guitar amp.
Generally more rugged and easier to transport.More consistent sound over a wider angle (lower directivity).
Placed after your pedals and/or preamp, Iconoclast completes your signal chain and provides a direct output to headphones, a recording interface, mixer or powered speakers.Įven in cases where amplification is required, combining an Iconoclast with a compact, high-fidelity powered speaker has several advantages over a traditional guitar amp and speaker: Iconoclast decouples the tone-shaping aspect of the guitar speaker from the process of amplification, allowing you to independently sculpt your tone while avoiding the deficiencies of guitar speakers and IRs. Iconoclast avoids all this complexity by directly producing a smooth response. Likewise, IRs are often combined (averaged) together for the same reason. To mitigate these issues, recording engineers may mic guitar cabinets at multiple locations, use multiple mics, or even multiple cabinets and mics. To make matters worse, they are usually sampled at specific point-positions rather than averaged over an area or volume, which results in an inaccurate representation of the apparent response. IRs (impulse responses) of guitar speakers are digital samples of the loudspeaker’s response and are therefore susceptible to these same deficiencies. Response smoothness is sacrificed, which is generally required for high-fidelity sound. These speakers are chosen primarily for their ability to shape the sound at the extents of the response curve, as well as for high sound output (sensitivity). The loudspeakers themselves-especially those used for guitar amplification-can have serious deficiencies in their response. Placing the cabinet too close to a wall, tilting or raising it off the floor will also have a dramatic effect. Where the listener stands (or places a mic) in front of a guitar cabinet can drastically affect the sound.
Unfortunately, guitar loudspeakers can be highly directional and dependent on positioning. Furthermore, the loudspeaker can interact with the amplifier that drives it, resulting in a dynamic response. They dramatically shape the signal-significantly attenuating very low and very high frequencies, while less dramatically affecting other frequencies. Loudspeakers used for guitar amplification do more than simply make the signal louder. Neunaber products are designed and manufactured in Orange, California USA. We hope to earn your trust by delivering a quality product that inspires you to make great music.
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